Tonight is our Embroidery Webinar of the Month.  I am going to be teaching you “How To Create Beautiful Monograms Using Your True Type Fonts!” 

You may be wondering, What is a true type font?  There are two types of files that have been installed on your computer that are available to you when you do your word processing.  One is a True Type font and the other one is an Open Type Font.  The true type fonts will always work for embroidery, but sometimes the open type font will work also.  In many embroidery software programs they are interchangeable.

Sometimes the open type font will work in one version of the embroidery program and yet will not not work in another version.  Some of the open type fonts that are available will work great in Version 11 of the Tajima by Pulse DGML software but Version 12 of the same software will not recognize them at all.  In Version 2009 of the Tajima by Pulse DGML software they work great!

There are also a lot more fonts that are available that you can purchase at your office supply store and you will also find them in your artwork programs.

You have many choices of true type fonts and they make excellent and very beautiful monograms.  Many times we are of the mind set that we have to have a monogram font that that has been digitized for our embroidery program  in order to be able to create beautiful monograms, but this is not the case.  You  have a totally unlimited variety of fonts that are available and I will be teaching you how to create these monograms using some of the true type fonts.

This is the completion of a 2 part series.  I presented the first part
last month, “How To Create Beautiful Large And Small Monograms Using
Your Existing Embroidery Fonts“!  This “How To Create Beautiful Large And Small Monograms” video program series will be available on DVD after the webinar tonight.

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What is Embroidery Push and Pull Compensation? When the  needle penetrates the fabric and the top embroidery thread connects and wraps around the bobbin embroidery thread it locks and creates a pulling in effect.  Most fabrics require that Pull Compensation be added in order to compensate for this push and pull effect brought about when you stitch a design into the fabric.

Do all stitch types require that Pull Compensation be added? All types of stitches create the push-pull effect, but it is most prominent when you are using Satin Path or Complex fill stitches. This push-pull effect is more prominent in large areas of your design such as your complex or tatami fill areas.
You do not add push or pull compensation to the run stitches that you are using for a border.  If your borders do not stay in registration with your fill area, it is best to make your adjustments to the fill area of your design.

Why do my designs look good on the screen but when I sew them out they have gaps?
Your design is created on a flat surface and if you do not compensate for the push and pull effect of your fabric as your design is being stitched out, it will most likely leave gaps where to areas are supposed to come together.  There is a constant tug of war going on between your fabric, machine and thread and you must learn to understand why this tug of war is taking place and how to create the necessary adjustments to your design in order for it to sew out so that it looks good on the fabric after it is sewn.  After you make your necessary adjustments your design may look very distorted on the screen.

Understanding Push and Pull Compensation and how to apply it to your embroidery designs is not hard. I have created a embroidery video training program on a CD with the same information that I taught during my “Embroidery Webinar of the Month,” “Would You Like To Know How To Apply Pull Compensation To Your Embroidery Designs?” During my webinar I taught the basic Push and Pull Compensation settings to apply to knit fabrics, woven fabrics and terry cloth.

I teach you how to take these basic Pull Comp settings and apply them to your other fabrics and different situations. My simple method of teaching will make it easier for you to learn how to make your adjustments as you are creating or digitizing your embroidery designs and daily embroidery lettering setups.

During my webinar I used the Tajima by Pulse DGML embroidery software but you can take these same settings and apply them to your own embroidery software no matter what brand or level you have. Learning how to apply Push and Pull Compensation to your embroidery designs is critical if you want the type of embroidery designs that will make your embroidery business stand out above the crowd.

This embroidery training video program“Learn The Secrets Of How To Create And Apply Pull Comp To Your Embroidery Designs!“ is now available to you on a CD.

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